Friday, June 22, 2007
Still More What I am Watching (You think I get off the couch?)
Ice Age 2: The Meltdown: Leguizamo and Romano can make anything sound good. Starts slow, but pretty decent overall.
High Tension: Yes, I'd never seen it. Quite an exercise in style. An interesting point - I think horror fans particularly forgive the serious plot flaws of the movie, because its so stylish and the violence is so...violent. Its a fun exercise, and Alexandre, well, you see the chops that got him Hills Have Eyes, and entry into the Splat Pack. Got its limitations, but overall worth the ride.
High Tension: Yes, I'd never seen it. Quite an exercise in style. An interesting point - I think horror fans particularly forgive the serious plot flaws of the movie, because its so stylish and the violence is so...violent. Its a fun exercise, and Alexandre, well, you see the chops that got him Hills Have Eyes, and entry into the Splat Pack. Got its limitations, but overall worth the ride.
Wednesday, June 20, 2007
AFI again rates 'Kane' as top movie
AFI again rates 'Kane' as top movie
By DAVID GERMAIN, AP Movie Writer 10 minutes ago
LOS ANGELES - The years have been kind to "Citizen Kane," including the last decade. The 1941 Orson Welles classic — the story of a wealthy young idealist transformed by scandal and vice into a regretful old recluse — was again rated the best movie ever Wednesday by the American Film Institute.
In the CBS special "AFI's 100 Years ... 100 Movies — 10th Anniversary Edition," "Citizen Kane" held the same No. 1 billing it earned in the institute's first top-100 ranking in 1998.
There were notable changes elsewhere, though, with Martin Scorsese's 1980 masterpiece "Raging Bull" bounding upward from No. 24 in 1998 to No. 4 on the new list and Alfred Hitchcock's 1958 thriller "Vertigo" hurtling from No. 61 to No. 9 this time.
Charles Chaplin's 1931 silent gem "City Lights" jumped from No. 76 to No. 11, while the 1956 John Ford-John Wayne Western "The Searchers" took the biggest leap, from No. 96 all the way to No. 12.
"The ones that made the huge jumps are really, really fascinating," said Jean Picker Firstenberg, chief executive at AFI, which has done top-10 lists every year since 1998 showcasing best comedies, thrillers, love stories and other highlights in American cinema.
"I'd like to think this entire series has had a real influence on what people think about a film like `City Lights,' `The Searchers,' `Vertigo.' Gotten them talking about these films and going back to watch them again, and if they've never seen them, to go watch them for the first time."
Francis Ford Coppola's 1972 epic "The Godfather" ranked No. 2, up one notch from 1998, switching places with Michael Curtiz's 1942 favorite "Casablanca," which dipped from second-place to third.
Both 1967's "The Graduate" and 1954's "On the Waterfront," which ranked Nos. 7 and 8 respectively in 1998, fell out of the top 10, "The Graduate" coming in at No. 17 and "On the Waterfront" finishing at No. 19.
The other five films in the new top 10 also were among the original 10 best, though they shuffled positions: 1952's "Singin' in the Rain (No. 5 now, No. 10 in 1998), 1939's "Gone With the Wind" (No. 6 now, No. 4 in 1998), 1962's "Lawrence of Arabia" (No. 7 now, No. 5 in 1998), 1993's "Schindler's List" (No. 8 now, No. 9 in 1998) and 1939's "The Wizard of Oz" (No. 10 now, No. 6 in 1998).
The top-100 were chosen from ballots sent to 1,500 filmmakers, actors, writers, critics and others in Hollywood from a list of 400 nominated movies, 43 of which came from the decade since the first list was compiled.
Of those newer films, only four made the top-100: 2001's "The Lord of the Rings: The Fellowship of the Ring" (No. 50), 1998's "Saving Private Ryan" (No. 71), 1997's "Titanic" (No. 83) and 1999's "The Sixth Sense" (No. 89).
Older films that did not make the cut on the 1998 list broke into the top-100 this time, led by Buster Keaton's 1927 silent comedy "The General" at No. 18. Others included 1916's "Intolerance" (No. 49), 1975's "Nashville" (No. 59), 1960's "Spartacus" (No. 81), 1989's "Do the Right Thing" (No. 96) and 1995's "Toy Story" (No. 99).
Some silent-era classics and other old films may have fared better this time because they are more readily available in good quality restorations in today's DVD age as opposed to the VHS days.
Films that dropped out of the top-100 this time included 1965's "Doctor Zhivago," which had been No. 39 on the 1998 list; 1984's "Amadeus," which had been No. 53; 1977's "Close Encounters of the Third Kind," which had been No. 64; 1990's "Dances With Wolves," which had been No. 75; and 1927's "The Jazz Singer," which had been No. 90.
"Close Encounters" director Steven Spielberg had the most films on the list with five, while Hitchcock, Stanley Kubrick and Billy Wilder each had four. James Stewart and Robert De Niro were the most-represented actors with five films apiece.
In interviews for Wednesday's special, filmmakers and others in Hollywood told AFI they loved the behind-the-scenes story of "Citizen Kane" as much as the film itself, said Bob Gazzale, who produced the AFI show.
It was the first movie by Welles, who bucked studio and storytelling conventions to craft a landmark film about the rise and fall of a William Randolph Hearst-like newspaper publisher.
The film was ahead of its time, a dark tale whose brooding design, murky lighting, overlapping dialogue and ripped-from-true-life Hearst connection created an unnerving sense of realism.
"No one disputes it's a great American film, but what you hear from the great artists of our day is the love they have for this ideal of a young maverick making a movie like this, that a 25-year-old Orson Welles changed the fabric of cinema, and that that ideal still holds today of this jewel everybody reaches for," Gazzale said.
"It's not only the movie, but the embodiment of the man who broke all the rules to tell his story."
While AFI officials have not decided if they will continue the annual lists in coming years, Firstenberg said the institute will do a new list of all-time best American films every 10 years as a guide to changing tastes in future decades.
"With this new list, it became clearer the value of this program was to have five lists to chart rather than one 50-year-old list," Gazzale said. "It's not only celebrating the films again and driving people to see them again, but we get to see what's gone up, what's gone down."
By DAVID GERMAIN, AP Movie Writer 10 minutes ago
LOS ANGELES - The years have been kind to "Citizen Kane," including the last decade. The 1941 Orson Welles classic — the story of a wealthy young idealist transformed by scandal and vice into a regretful old recluse — was again rated the best movie ever Wednesday by the American Film Institute.
In the CBS special "AFI's 100 Years ... 100 Movies — 10th Anniversary Edition," "Citizen Kane" held the same No. 1 billing it earned in the institute's first top-100 ranking in 1998.
There were notable changes elsewhere, though, with Martin Scorsese's 1980 masterpiece "Raging Bull" bounding upward from No. 24 in 1998 to No. 4 on the new list and Alfred Hitchcock's 1958 thriller "Vertigo" hurtling from No. 61 to No. 9 this time.
Charles Chaplin's 1931 silent gem "City Lights" jumped from No. 76 to No. 11, while the 1956 John Ford-John Wayne Western "The Searchers" took the biggest leap, from No. 96 all the way to No. 12.
"The ones that made the huge jumps are really, really fascinating," said Jean Picker Firstenberg, chief executive at AFI, which has done top-10 lists every year since 1998 showcasing best comedies, thrillers, love stories and other highlights in American cinema.
"I'd like to think this entire series has had a real influence on what people think about a film like `City Lights,' `The Searchers,' `Vertigo.' Gotten them talking about these films and going back to watch them again, and if they've never seen them, to go watch them for the first time."
Francis Ford Coppola's 1972 epic "The Godfather" ranked No. 2, up one notch from 1998, switching places with Michael Curtiz's 1942 favorite "Casablanca," which dipped from second-place to third.
Both 1967's "The Graduate" and 1954's "On the Waterfront," which ranked Nos. 7 and 8 respectively in 1998, fell out of the top 10, "The Graduate" coming in at No. 17 and "On the Waterfront" finishing at No. 19.
The other five films in the new top 10 also were among the original 10 best, though they shuffled positions: 1952's "Singin' in the Rain (No. 5 now, No. 10 in 1998), 1939's "Gone With the Wind" (No. 6 now, No. 4 in 1998), 1962's "Lawrence of Arabia" (No. 7 now, No. 5 in 1998), 1993's "Schindler's List" (No. 8 now, No. 9 in 1998) and 1939's "The Wizard of Oz" (No. 10 now, No. 6 in 1998).
The top-100 were chosen from ballots sent to 1,500 filmmakers, actors, writers, critics and others in Hollywood from a list of 400 nominated movies, 43 of which came from the decade since the first list was compiled.
Of those newer films, only four made the top-100: 2001's "The Lord of the Rings: The Fellowship of the Ring" (No. 50), 1998's "Saving Private Ryan" (No. 71), 1997's "Titanic" (No. 83) and 1999's "The Sixth Sense" (No. 89).
Older films that did not make the cut on the 1998 list broke into the top-100 this time, led by Buster Keaton's 1927 silent comedy "The General" at No. 18. Others included 1916's "Intolerance" (No. 49), 1975's "Nashville" (No. 59), 1960's "Spartacus" (No. 81), 1989's "Do the Right Thing" (No. 96) and 1995's "Toy Story" (No. 99).
Some silent-era classics and other old films may have fared better this time because they are more readily available in good quality restorations in today's DVD age as opposed to the VHS days.
Films that dropped out of the top-100 this time included 1965's "Doctor Zhivago," which had been No. 39 on the 1998 list; 1984's "Amadeus," which had been No. 53; 1977's "Close Encounters of the Third Kind," which had been No. 64; 1990's "Dances With Wolves," which had been No. 75; and 1927's "The Jazz Singer," which had been No. 90.
"Close Encounters" director Steven Spielberg had the most films on the list with five, while Hitchcock, Stanley Kubrick and Billy Wilder each had four. James Stewart and Robert De Niro were the most-represented actors with five films apiece.
In interviews for Wednesday's special, filmmakers and others in Hollywood told AFI they loved the behind-the-scenes story of "Citizen Kane" as much as the film itself, said Bob Gazzale, who produced the AFI show.
It was the first movie by Welles, who bucked studio and storytelling conventions to craft a landmark film about the rise and fall of a William Randolph Hearst-like newspaper publisher.
The film was ahead of its time, a dark tale whose brooding design, murky lighting, overlapping dialogue and ripped-from-true-life Hearst connection created an unnerving sense of realism.
"No one disputes it's a great American film, but what you hear from the great artists of our day is the love they have for this ideal of a young maverick making a movie like this, that a 25-year-old Orson Welles changed the fabric of cinema, and that that ideal still holds today of this jewel everybody reaches for," Gazzale said.
"It's not only the movie, but the embodiment of the man who broke all the rules to tell his story."
While AFI officials have not decided if they will continue the annual lists in coming years, Firstenberg said the institute will do a new list of all-time best American films every 10 years as a guide to changing tastes in future decades.
"With this new list, it became clearer the value of this program was to have five lists to chart rather than one 50-year-old list," Gazzale said. "It's not only celebrating the films again and driving people to see them again, but we get to see what's gone up, what's gone down."
What I am Reading, Watching
Reading: What Just Happened, Art Linson (again, and even better than Pound of Flesh).
Watching: the last few episodes of Studio 60 On The Sunset Strip, before it goes off the air
Paul Schrader's Dominion - Exorcist Prequel - Paul Schrader dont do horror
Waiting - A rueful guilty and very funny (at moments) pleasure, falling squarely within the humor range of an eighth grader. Perfect, right?
Watching: the last few episodes of Studio 60 On The Sunset Strip, before it goes off the air
Paul Schrader's Dominion - Exorcist Prequel - Paul Schrader dont do horror
Waiting - A rueful guilty and very funny (at moments) pleasure, falling squarely within the humor range of an eighth grader. Perfect, right?
Jury Duty Bloggin
Yes. Its true, don’t laugh.
OK. Laugh. Go ahead. Recycle your salami. What the fuck do I care? Not like I asked to be here.
I think I will be dodging a bullet on this one. I am on the second day. They called a 130 names yesterday out of maybe 200, but I wasn’t called. When they call you, you are one of a group to potentially serve as a juror. Usually they pull about six or seven times more than they need to empanel a jury. The others are released back to the pool.
Wait, they just called me in. Its only 12:30 and they are releasing me. I am free for six years.
Free I tell you. Free Free Free. Fly Little Birdies.
OK. Laugh. Go ahead. Recycle your salami. What the fuck do I care? Not like I asked to be here.
I think I will be dodging a bullet on this one. I am on the second day. They called a 130 names yesterday out of maybe 200, but I wasn’t called. When they call you, you are one of a group to potentially serve as a juror. Usually they pull about six or seven times more than they need to empanel a jury. The others are released back to the pool.
Wait, they just called me in. Its only 12:30 and they are releasing me. I am free for six years.
Free I tell you. Free Free Free. Fly Little Birdies.
Monday, June 18, 2007
More Watch List, Read List
Watching
Exorcist II: The Heretic (ugh)
Exorcist III
Reading
Art Linson's A Pound Of Flesh - from the producer of Untouchables, Fight Club - very entertaining
Exorcist II: The Heretic (ugh)
Exorcist III
Reading
Art Linson's A Pound Of Flesh - from the producer of Untouchables, Fight Club - very entertaining
Sunday, June 17, 2007
Saturday, June 16, 2007
New Movies
One of the things that I love about movies is the fact that you can be surprised, delighted and amazed by a movie unexpectedly. (Unfortunately, that’s become a little too infrequent with the onslaught of studio pablum that gets released.) Another great aspect of this is that a new movie, for lack of a better way of describing it, is any movie you haven’t seen before.
I watch a lot of movies. A lot. But there are always bunches that I want to see, intend to see, read about, hear about. I love the actors, and the storyline sounds intriguing, but for some reason, it falls in between the cracks and I don’t see it during its initial release in theaters, video or television. But the movie has already registered in my personal consciousness and forms part of an unwritten list of movies that I am going to see. (And Netflix’s queue system is actually a perfect analog for this, though my problem is that I often have rentals sitting around for months, so I don’t always get through the queue at all, and it is 120 rentals long).
One of the movies that’s been near the top of this list for quite some time is “The Station Agent.” And what is so great about the fact that its held a place on my own, personal list is that I finally watched it, and it was worth holding a place in my consciousness for that long. Its quite a good movie.
I don’t want to write a full on review of the movie here, because if you’ve seen it, you probably don’t need my review, just read Roger Ebert’s, he’s better at this stuff than I am (though, IMHO, his review gives away a little too much about the movie, so be careful if reading before seeing the movie, or while watching it, something i do sometimes). And if you haven’t seen it, I don’t want to take away anything from your viewing of the movie. Just let me say that cast and direction don’t get much better, Peter Dinklage, Patricia Clarkson, Bobby Canavale (for whom my respect, already high, has gone even higher now), Michelle Williams, and a wonderful Raven Goodwin. It’s a winner of bunches of awards, including a BAFTA Award for the Script, Audience Award at Sundance and an Independent Spirit Award for Patricia Clarkson (who is good but by no means alone in a strong perf).
Walk, don’t run (you might fall), to your video store and rent it. Or Amazon it, its worth owning, or Netflix it. here. And enjoy. Lemme know what you think.
Grumps.
I watch a lot of movies. A lot. But there are always bunches that I want to see, intend to see, read about, hear about. I love the actors, and the storyline sounds intriguing, but for some reason, it falls in between the cracks and I don’t see it during its initial release in theaters, video or television. But the movie has already registered in my personal consciousness and forms part of an unwritten list of movies that I am going to see. (And Netflix’s queue system is actually a perfect analog for this, though my problem is that I often have rentals sitting around for months, so I don’t always get through the queue at all, and it is 120 rentals long).
One of the movies that’s been near the top of this list for quite some time is “The Station Agent.” And what is so great about the fact that its held a place on my own, personal list is that I finally watched it, and it was worth holding a place in my consciousness for that long. Its quite a good movie.
I don’t want to write a full on review of the movie here, because if you’ve seen it, you probably don’t need my review, just read Roger Ebert’s, he’s better at this stuff than I am (though, IMHO, his review gives away a little too much about the movie, so be careful if reading before seeing the movie, or while watching it, something i do sometimes). And if you haven’t seen it, I don’t want to take away anything from your viewing of the movie. Just let me say that cast and direction don’t get much better, Peter Dinklage, Patricia Clarkson, Bobby Canavale (for whom my respect, already high, has gone even higher now), Michelle Williams, and a wonderful Raven Goodwin. It’s a winner of bunches of awards, including a BAFTA Award for the Script, Audience Award at Sundance and an Independent Spirit Award for Patricia Clarkson (who is good but by no means alone in a strong perf).
Walk, don’t run (you might fall), to your video store and rent it. Or Amazon it, its worth owning, or Netflix it. here. And enjoy. Lemme know what you think.
Grumps.
Wednesday, June 13, 2007
The Masses Speak
Well, maybe not the masses, but those with websites.
Both of my last two posts, on top horror movies, and on the last Sopranos, have been covered again and again on the internet. Its interesting, almost all of our horror picks are uniformly present on these other lists at various places.
The Sopranos thing (of ours?) is mostly very negative, from my perusing. I seem to be one of very few, other than Kevin Smith, who seems to have given David Chase a pass.
Btw, I watched Zack Snyder's Dawn of the Dead yesterday, and while I really liked it, I thought, in a recurring theme on this blog, that the ending kinda sucked. Lots of action with no resolution. The opposite of the last Sopranos episode?
Both of my last two posts, on top horror movies, and on the last Sopranos, have been covered again and again on the internet. Its interesting, almost all of our horror picks are uniformly present on these other lists at various places.
The Sopranos thing (of ours?) is mostly very negative, from my perusing. I seem to be one of very few, other than Kevin Smith, who seems to have given David Chase a pass.
Btw, I watched Zack Snyder's Dawn of the Dead yesterday, and while I really liked it, I thought, in a recurring theme on this blog, that the ending kinda sucked. Lots of action with no resolution. The opposite of the last Sopranos episode?
Tuesday, June 12, 2007
Leaving Jersey
So you may be wondering, probably not, but you may be wondering, what I thought of the last Sopranos.
As every person with his senses in the western world (and maybe much of the rest) knows, Tony and company made their last bows on Sunday, in a very controversial episode that wrapped up about ten years and eight seasons of Sopranos. The irony of the fact that the episode was controversial derives from the fact that very little actually happened, and even more from the fact that it didn’t provide answers as to the fates of most of the main characters, in particular, Tony Soprano. Instead, as you all likely know, the screen just went black at the end of the episode, and then it was over.
When the episode was over, I have to admit, I reran (on TiVo) the last thirty seconds to make sure that my TV hadn’t played a cruel trick. I mean, of course, it immediately occurred to me that the ending was left open by David Chase, and that nothing was wrong with the cable. I saw a short film of the Lady and the Tiger in elementary school (maybe I read it too) and I’ve been very well versed on open endings ever since.
My doubt crept in because my initial reaction to the open ending was that it was highly unsatisfactory and that it was a cheat of people who have stayed with the show over the years, waiting through the long off-seasons, watching the last few which, quite frankly, didn’t always have the zip of the earlier seasons (I particularly missed Ralphie, not that he was around for that long). But I fancy myself some kind of half-assed intellectual, at least with respect to film and things related, and I think some paert of me could appreciate the fact that Chase didn’t necessarily want to tie up the storylines in a neat package. Actually watching these last few episodes, I was a little bit prepared for that ending because I didn’t see anyway to really tie everything up in any kind of satisfactory manner given the limited amoung of time left. And as each week of this final season passed, that seemed to be so much more the case.
But what about this episode. Was it so terrible? If your favorite Sopranos tend to be the gorier, plot-driven mob business episodes, then it definitely was like old canoli. But even for you folks (I am not sure I am one of you, but I am not sure I am not), there were some great moments, like Tony’s visit with Junior (“You and my dad ran North Jersey” “That’s nice,”) was a great way to wrap up the show. In fact, to me, it might have made a lot more sense to wrap up the show with that scene with Tony and Junior, in that way, which could have showed both the scope of the show over the whole of the series, and at the same time, the basic existentiality of the characters (and through them, us) because in the end, all of Junior’s actions became meaningless and disappeared in his own memory. And then, by implication, Tony’s too, and yours and mine. Full of sound and fury, signifying nothing.
More of my problem with the last episode has to do with my problems with the last season or two. Some of the storylines lacked the firepower (hehe) of previous ones. I couldn’t stand the AJ storyline, listening to his whining all the time, his depression. I am not saying the storyline didn’t make sense, Tony passing his empty soul down to his son, but it was like beating a dead horse, and I just didn’t want to spend so much time with this one note character. When he briefly perked up for a while when hanging with the fraternity boys, it improved, but then the storyline reverted and there was nothing new and interesting.
Part of me does feel like they cheated us the last few seasons. While there were good and developed storylines, including this beef with the NY family, there were lots of developments that just seemed to go nowhere, and new characters who were introduced simply for the purpose of being whacked out an episode or two later (like my friend and former client John Bianco). For example, what ever happened to the storyline with Bobby killing the guy in Montreal? That storyline never went anywhere, so why introduce it? And there are many examples of these types of storylines.
And because I am a producer, I always have my doubts about motivation for the direction of any show. Are they cutting down the action to save money? Its always a consideration, in any business, show business included. The well was going to run dry, so why not spend less to make the shows, which results in more for producers and key cast that has leverage. Is it true? I don’t know, but there definitely seemed to be less action in the last two years.
What does seem clear, at least at this point, is that they didn’t leave it open ended for a movie. There seems to be very little interest on David Chase’s part to do a Sopranos movie. I bet Tony Sirico would do it though.
All in all, I got a lot of enjoyment out of the Sopranos. I didn’t start watching it from the beginning, I think I caught up after it had been on two seasons already and was on its third. I had the great pleasure of getting to watch the first two seasons over a week or two period, and those seasons were terrific, the basis of the franchise. It built HBO into the powerhouse that it is. So I can’t complain too much if the last few seasons, the Vito Spatafore storyline (Johnnycakes) and the AJ stuff and some of the other storylines felt a little weak and diluted. How many shows are ever so good that they create this level of discussion? How many shows are ever this good that a mediocre episode or season can create the level of discontent that the final episode did?
I am glad to have been a Sopranos fan. It is a show with some of the best writing, acting, and most compelling characters ever produced. And it ushered in an era of television being edgier and more risk-taking, more anti-hero oriented than ever before. And that has ultimately led to some of my favorite shows, like The Shield (don’t comment you haven’t seen it, I will lose all respect for you). So I can’t complain, but you can.
Hit me.
Sunday, June 10, 2007
The Top 25 Horror Films to Date: Wrapping It Up
FINAL UPDATE, June 10, 2007
Well, we've gone through another one of these lists, and Im wrapping it up based on everyone's comments. I don't know that i am totally satisfied with my, ahem, I mean, our list, but it is our list, and this really cannot go on and on forever, can it. I mean, we have to finish it. Like the great horror movies, they come to a close.
Um, wait, actually alot of them have sequels. And remakes. So maybe thats not the best analogy. But just jump down to the bottom of the entry, you can find the last bunch. And then, you can lemme have it on all the omissions.
YET ANOTHE UPDATE, June 2, 2007
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien/Aliens - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it. And action horror sequel, from the sequel-meister James Cameron, with great performance from Weaver (Oscar-nommed), Bill Paxton and Paul Reiser.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. American Werewolf In London - A great exercise is horror/comedy that works, because its scary and never lets up, and the Rick Baker gore factor is in full effect.
20. Carrie - There is nothing quite as terrifying as a high school girl without a date for the prom. Not one of my personal favorites, but
21. Salem's Lot - Yet another Stephen King entry. I saw this movie, and I cannot remember much about it except for the vampires having a very scary, cool look. Anyway, Heidi, now its on here. So shuddup.
22. Hellraiser - Great villains, another that isnt quite one of my favorites, but got seconded a few times, (or thirded? fourth-ed?), and Pinhead rulls. So lets do it. And it gets Clive Barker on the list.
23. Saw, which began the huge horror resurgence in the last seven to ten years and set the initial baseline in torture/horror.
24. The Amityville Horror - Original scarer was not a movie, it was a part of the average kid's consciousness after it came out. One of the best uses ever of the "Based on a True Story" marketing hook of all time, and a darn scary movie killed by terrible sequels (and a doughy remake).
25. Frankenstein - Needed to have some classic old school horror, and Boris Karloff somewhere on this list.
So Many Honorable Mentions: Friday the 13th (very much a genre creator), Hostel, From Dusk Til Dawn, House of A Thousand Corpses and The Devil's Rejects, The Grudge, Curse of the Catpeople, Freaks, Prom Night, The Fly (Cronenberg), Re-Aminator, Murnau's Nosferatu, The Wolf Man (Lon Chaney version), Murder in the Rue Morgue, The Grudge, The Phone, Ichi The Killer, High Tension, Magic (which I absolutely love and is scary as fuck), The Birds, Evil Dead II/III/ Bubba Ho-Tep), Phantasm, The Blair Witch Project, The Eye, The Sixth Sense (which I really like but leave off the list cause I dont really consider it horror, and many consider it a gimmick movie) and Jacob's Ladder (another great great, is it Horror entry) and Angel Heart (yet another, left off maybe for more than this, but a fascinating, stylish, although flawed entry from Alan Parker), Masque fo the Red Death, Braindead (aka Dead Alive), Blade, Misery, 28 Days Later, Hell Night (a personal fave for no particular reason)I Walked with a Zombie, Diabolique (again left off as I can't really consider it horror), King Kong (1933), Francis Ford Coppola's Dracula, Cujo, Candyman, and April Fools Day.
Well, we've gone through another one of these lists, and Im wrapping it up based on everyone's comments. I don't know that i am totally satisfied with my, ahem, I mean, our list, but it is our list, and this really cannot go on and on forever, can it. I mean, we have to finish it. Like the great horror movies, they come to a close.
Um, wait, actually alot of them have sequels. And remakes. So maybe thats not the best analogy. But just jump down to the bottom of the entry, you can find the last bunch. And then, you can lemme have it on all the omissions.
YET ANOTHE UPDATE, June 2, 2007
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien/Aliens - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it. And action horror sequel, from the sequel-meister James Cameron, with great performance from Weaver (Oscar-nommed), Bill Paxton and Paul Reiser.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. American Werewolf In London - A great exercise is horror/comedy that works, because its scary and never lets up, and the Rick Baker gore factor is in full effect.
20. Carrie - There is nothing quite as terrifying as a high school girl without a date for the prom. Not one of my personal favorites, but
21. Salem's Lot - Yet another Stephen King entry. I saw this movie, and I cannot remember much about it except for the vampires having a very scary, cool look. Anyway, Heidi, now its on here. So shuddup.
22. Hellraiser - Great villains, another that isnt quite one of my favorites, but got seconded a few times, (or thirded? fourth-ed?), and Pinhead rulls. So lets do it. And it gets Clive Barker on the list.
23. Saw, which began the huge horror resurgence in the last seven to ten years and set the initial baseline in torture/horror.
24. The Amityville Horror - Original scarer was not a movie, it was a part of the average kid's consciousness after it came out. One of the best uses ever of the "Based on a True Story" marketing hook of all time, and a darn scary movie killed by terrible sequels (and a doughy remake).
25. Frankenstein - Needed to have some classic old school horror, and Boris Karloff somewhere on this list.
So Many Honorable Mentions: Friday the 13th (very much a genre creator), Hostel, From Dusk Til Dawn, House of A Thousand Corpses and The Devil's Rejects, The Grudge, Curse of the Catpeople, Freaks, Prom Night, The Fly (Cronenberg), Re-Aminator, Murnau's Nosferatu, The Wolf Man (Lon Chaney version), Murder in the Rue Morgue, The Grudge, The Phone, Ichi The Killer, High Tension, Magic (which I absolutely love and is scary as fuck), The Birds, Evil Dead II/III/ Bubba Ho-Tep), Phantasm, The Blair Witch Project, The Eye, The Sixth Sense (which I really like but leave off the list cause I dont really consider it horror, and many consider it a gimmick movie) and Jacob's Ladder (another great great, is it Horror entry) and Angel Heart (yet another, left off maybe for more than this, but a fascinating, stylish, although flawed entry from Alan Parker), Masque fo the Red Death, Braindead (aka Dead Alive), Blade, Misery, 28 Days Later, Hell Night (a personal fave for no particular reason)I Walked with a Zombie, Diabolique (again left off as I can't really consider it horror), King Kong (1933), Francis Ford Coppola's Dracula, Cujo, Candyman, and April Fools Day.
Tuesday, June 05, 2007
Vote for a movie goddammit :)
Come on people. Weigh in. We're only at 19. Can't just be John and Bobby and Scott and Bitter and a few others. I know you're out there. Silent. Stalkers. Leave a comment. It wont hurt. Im sure there is some movie that sends chills up your spine, or second someone else's vote.
Now, go.
Now, go.
Thursday, May 24, 2007
The Top 25 Horror Films to Date
YET ANOTHE UPDATE, June 2, 2007
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. Keep going, we arent done yet with this debate.
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. Keep going, we arent done yet with this debate.
Tuesday, May 15, 2007
Airplane Bloggin: Burbank Dawn
My new apartment, bungalow, whatever you wanna call it, is in Hollywood. Hollywood is, in LA terms, on the eastside, more or less, as opposed to Beverly Hills, Westwood, Santa Monica, all on the Westside. Long Beach airport, in addition to being quite far south, in on the Westside (its on the beach, which despite the south east to northwest running socal coastline, is pretty far west of Hollywood.
Enter Burbank Airport. Just a hop over the hill from my Hollywood haunt (say that five times fast), its now my Jet Blue airport destination of choice. Its very close to my place (we’ll see about the traffic, but miles-wise its close).
Thing is, at least as far as rewards flights go, on Jet Blue, during the week, there only seems to be 6:45 AM flights available from JFK to Burbank. Yes, folks, that 6:45 flight allows me to wake up at 4:20 AM, refreshed by a whole four hours of sleep or so, jump in a cab and head off to the airport. At least there isn’t any traffic on the way to JFK at a quarter to five in the morning.
But even though I’ll be in LA from 9:45 AM or so, if I don’t get some sleep on this flight, I am just gonna take a nap when I get to my place anyway. So much for getting in early.
But that’s OK. Needed to make the trip, and while I could have made it Sunday, Sunday was mother’s day and that was a good reason to stick around in NY.
Maybe I can get some sleep after I stop typing. 5MG of Diazepam to calm me for takeoff may help. We shall see.
I am not gonna talk about the breakup thing. I am not gonna write about it. It kinda was necessary, and it pretty much sucks. That’s all I got for ya.
Insurgents is screening at the Fine arts Theater in Beverly hills on Thursday. Wilshire off La Cienaga. Lemme know if you wanna come, there may be availability on the list. I wasn’t necessarily gonna be in town for this, but its nice that I can make it. And I hope Scott, the director, will be pleased.
I am tired. Gonna go count some sheep. I think Gina Gershon is sitting to my left. Does she play the violin? This chick’s got a violin. I’ll do my best not to think about Bound while I am sitting here.
Enter Burbank Airport. Just a hop over the hill from my Hollywood haunt (say that five times fast), its now my Jet Blue airport destination of choice. Its very close to my place (we’ll see about the traffic, but miles-wise its close).
Thing is, at least as far as rewards flights go, on Jet Blue, during the week, there only seems to be 6:45 AM flights available from JFK to Burbank. Yes, folks, that 6:45 flight allows me to wake up at 4:20 AM, refreshed by a whole four hours of sleep or so, jump in a cab and head off to the airport. At least there isn’t any traffic on the way to JFK at a quarter to five in the morning.
But even though I’ll be in LA from 9:45 AM or so, if I don’t get some sleep on this flight, I am just gonna take a nap when I get to my place anyway. So much for getting in early.
But that’s OK. Needed to make the trip, and while I could have made it Sunday, Sunday was mother’s day and that was a good reason to stick around in NY.
Maybe I can get some sleep after I stop typing. 5MG of Diazepam to calm me for takeoff may help. We shall see.
I am not gonna talk about the breakup thing. I am not gonna write about it. It kinda was necessary, and it pretty much sucks. That’s all I got for ya.
Insurgents is screening at the Fine arts Theater in Beverly hills on Thursday. Wilshire off La Cienaga. Lemme know if you wanna come, there may be availability on the list. I wasn’t necessarily gonna be in town for this, but its nice that I can make it. And I hope Scott, the director, will be pleased.
I am tired. Gonna go count some sheep. I think Gina Gershon is sitting to my left. Does she play the violin? This chick’s got a violin. I’ll do my best not to think about Bound while I am sitting here.
Sunday, May 13, 2007
Wholly single again.
Enuff said.
Dont call me to commisserate. I don't want your sympathy.
grumpster.
Dont call me to commisserate. I don't want your sympathy.
grumpster.
Saturday, May 12, 2007
Saturday miscellany
Saturday nite. Big pasta dinner. Sitting at home. Watching movies, good and bad.
Did anyone see the Hitcher. My friend Phil Hardage worked as the first AD on it. I just a music video by that director. Incredible. Really incredible work. I went to see what else the guy had done (besides the video) and there was the Hitcher (the remake that is, Sean Bean Hitcher, not Rutger Hauer Hitcher). Anyway, lemme know what you thought of the movie – Im pretty curious. Just in an academic sense, because I am kinda biased about music video directors doing movies, generally. But this Pink Video was so incredible looking, now I am curious.
I am headed back to LA on Tuesday. Been just a few days since I got back, it feels like, and I am already headed back to LA. Which is OK. Its for a good reason. We are about to lock someone very key to Slaughter. Can’t say more than that, but its exciting and very big news.
The apt in LA is coming in very handy, it seems. Would have been spending a lot of money with all the time out there. If I can only make it a bit nicer. Any readers in LA or thereabouts who wanna help out with that, would be great.
When I get out there, I have a meeting on the Warner Studios lot. First time for me to go to a studio lot. Ive been to offices for a major (New Line on Robertson), but this will be a first for me. I may have a meeting at Universal as well, but one thing at a time.
I hate flying. Have I mentioned that. Uggh.
Oh, so by the way, everyone who reads this know that Heidi, the frequent commenter (especially when stuff concerns her or misogynist horror movies) . She’s an actress. She was in Hot Baby. And now, with Digger coming up, well, to me, Heidi being from Connecticut and all, you know.
But apparently, Heidi doesn’t know I am working on the movie, does she? I spoke to someone we both know, and Heidi told em all about the movie, Digger, which I’ve been working on for a year. I thought she knew I was working on it. But this person in common was like, hey, you’re working on that, that’s cool. I guess that while Heidi is kind enough to weign in on the blog here and there, well, I don’t rate top billing on the producer’s list. Probably because I am so abusive. Maybe I should try to be nicer.
Nah.
Did anyone see the Hitcher. My friend Phil Hardage worked as the first AD on it. I just a music video by that director. Incredible. Really incredible work. I went to see what else the guy had done (besides the video) and there was the Hitcher (the remake that is, Sean Bean Hitcher, not Rutger Hauer Hitcher). Anyway, lemme know what you thought of the movie – Im pretty curious. Just in an academic sense, because I am kinda biased about music video directors doing movies, generally. But this Pink Video was so incredible looking, now I am curious.
I am headed back to LA on Tuesday. Been just a few days since I got back, it feels like, and I am already headed back to LA. Which is OK. Its for a good reason. We are about to lock someone very key to Slaughter. Can’t say more than that, but its exciting and very big news.
The apt in LA is coming in very handy, it seems. Would have been spending a lot of money with all the time out there. If I can only make it a bit nicer. Any readers in LA or thereabouts who wanna help out with that, would be great.
When I get out there, I have a meeting on the Warner Studios lot. First time for me to go to a studio lot. Ive been to offices for a major (New Line on Robertson), but this will be a first for me. I may have a meeting at Universal as well, but one thing at a time.
I hate flying. Have I mentioned that. Uggh.
Oh, so by the way, everyone who reads this know that Heidi, the frequent commenter (especially when stuff concerns her or misogynist horror movies) . She’s an actress. She was in Hot Baby. And now, with Digger coming up, well, to me, Heidi being from Connecticut and all, you know.
But apparently, Heidi doesn’t know I am working on the movie, does she? I spoke to someone we both know, and Heidi told em all about the movie, Digger, which I’ve been working on for a year. I thought she knew I was working on it. But this person in common was like, hey, you’re working on that, that’s cool. I guess that while Heidi is kind enough to weign in on the blog here and there, well, I don’t rate top billing on the producer’s list. Probably because I am so abusive. Maybe I should try to be nicer.
Nah.
Sunday, May 06, 2007
Sunday Nite
Not much to say. Going scouting on Digger up in Connecticut on Tuesday.
Dunno if you’ve seen any of the press on Digger. Its being reported that the Material Girl is a producer on the movie. In like 17 languages. I mean, she’s more than welcome, but I don’t think she’s really gonna produce the movie. But all over the world, in languages I cannot even identify, cunning linguist that I am, that’s the translation.
Google it. Go ahead, I cannot believe how many hits. Just try it…Google John A. Gallagher Digger Maverick. Holy Canoli.
So we’re going up to Connecticut on Tuesday to look at some locations. The woods. The college. The graveyard. Spooky huh?
I’ll let ya know how it goes.
Dunno if you’ve seen any of the press on Digger. Its being reported that the Material Girl is a producer on the movie. In like 17 languages. I mean, she’s more than welcome, but I don’t think she’s really gonna produce the movie. But all over the world, in languages I cannot even identify, cunning linguist that I am, that’s the translation.
Google it. Go ahead, I cannot believe how many hits. Just try it…Google John A. Gallagher Digger Maverick. Holy Canoli.
So we’re going up to Connecticut on Tuesday to look at some locations. The woods. The college. The graveyard. Spooky huh?
I’ll let ya know how it goes.
Monday, April 30, 2007
Airport Bloggin’: Long Beach Nights
Del;ayed in Long Beach, CA. One of those hurry up and waits…I took a brief nappy-poo in the afternoon, not too much to do on my last day in lala-land. Flight was 7:30. Woke up from that little nap at, whooo, 5:15. Now, I don’t know how familiar you might be with the traffic patterns during rush hour in the greater Los Angeles area. They are, shall we say, sluggish?
Anyway, so it took an hour to get down to Long Beach, had to refill the tank, etc. And so when I pulled up, I was about fifty minutes before my flight time.
This is getting dull, sorry. Not so interesting. Short cut. Wanted to have dinner, no time. Left restaurant. Flight delayed. Return to restaurant. Eat mediocre corned beef. Return to terminal and here I am. Waiting for this flight, which when I booked it, seemed to be direct, but now, somehow, is through Salt Lake City. Not that I don’t like Utah. I like Utah just fine. Anyway, you get it.
So it was an interesting couple of weeks in LA. I rented a place off Sunset in Hollywood, and got there to discover, that my new room had, hey, no wall. It had a skateboard ramp (or two) and a piece of plywood. Not good. Little detail escaped the dude from whom I rented it. Took the better part of the whole time I was in LA to find a wall guy, and get said wall guy to put up the wall. He kept doing it in pieces. Its finally up, though, so I am thankful for having what I should have had the whole time. At least the rent is cheap.
We also had a dead rat smell in the place, which arrived shorly after I did. Another lovely addition. Turned out, though, that the dead rat smell was being caused by a dead rat, which had picked the stove burner as his final resting place. I was happy I hadn’t used the stove since I’d been there. Not with Quizno’s and Carl’s across the street.
Work was OK. Sporadically busy and not. I can pretty much do what I do most of the time, from anywhere. There is wireless in the place. And its self contained.
I guess I really haven’t described what the dwelling is. I live in a two bedroom bungalow behind a big main house. I share it with a music vid director named Mike. It has a kitchen, a bathroom, both pretty grungy, and the two rooms. Mike’s room still doesn’t have a wall, it has its own makeshift arrangement. Not my problem.
The bungalow is one of three buildings on the property, including the main house, and a third building that has a bunch of storage rooms and seems to be a general waste of space. There is a patio, a BBQ grill and everything is fairly shabby. I did some cleaning while I was there, but in all likelihood, it will be similarly shabby by the time I get back to LA in thee next month or so. But it’s a good location, the room is fine, now, and its got parking and is definitely livable. And cheap, did I mention cheap.
So much for the glamour of being bicoastal, skateboard ramps and rats in the kitchen (and I do care).
Digger was announced, hit JoBlo and DreadCentral, which are two big horror blogs that get tons of traffic. That’s cool, and great for John Gallagher, who will direct, and our young writer, Stephen Lancellotti. Stephen, despite his youth, has had a good career already in the entertainment biz, which includes stints at Dreamworks and other big production companies, and working as an assistant and a story editor for Jean Domanian, who was Woody Allen’s producer before she produced for David Mamet. I think (we all do) that he wrote a great script, and we’re very excited about making it.
Speaking of horror, Slaughter is picking up speed as well. A respected horror director who shall remain nameless has offered his services. We’re still figuring things out, but we should have a director aboard in the next few days after the weekend. It’ll be great after all this looking and waiting and wanting.
I am on the flight now. Flying. It’s a phobia. A necessary evil. I need Xanax or something stronger when I fly, cause relaxation techniques aint cutting it no more. I serious think that the plane engines just turned off for like two minutes, a bit ago. No hum, nothing, like we were gliding. And when the altitude showed on the screen, we were lower than we had been minuted before. During takeoff. I admit I have this phobia, but that cant be normal. Can it? Why am I asking you?
Middle seats suck.
Otherwise, that’s mostly it. I am headed back bccause Valerie will be in town and I have much to get ready for the NYC PictureStart Film Festival. I also have a movie, Take The Bridge, in the Tribeca Film Festival, one I worked on years ago. I’d almost given up hope that it would see the light of day, as it hasn’t got any name actors – they are all newcomers. But its in Tribeca, and its getting some press now. I’ll be seeing this cut of it for the first time tomorrow nite. Come out and see it if you are in NYC. I am not going to swear by its quality because I haven’t seen the finished product, but really, what else do you have going on. Exactly.
See ya there.
Grumpy.
Anyway, so it took an hour to get down to Long Beach, had to refill the tank, etc. And so when I pulled up, I was about fifty minutes before my flight time.
This is getting dull, sorry. Not so interesting. Short cut. Wanted to have dinner, no time. Left restaurant. Flight delayed. Return to restaurant. Eat mediocre corned beef. Return to terminal and here I am. Waiting for this flight, which when I booked it, seemed to be direct, but now, somehow, is through Salt Lake City. Not that I don’t like Utah. I like Utah just fine. Anyway, you get it.
So it was an interesting couple of weeks in LA. I rented a place off Sunset in Hollywood, and got there to discover, that my new room had, hey, no wall. It had a skateboard ramp (or two) and a piece of plywood. Not good. Little detail escaped the dude from whom I rented it. Took the better part of the whole time I was in LA to find a wall guy, and get said wall guy to put up the wall. He kept doing it in pieces. Its finally up, though, so I am thankful for having what I should have had the whole time. At least the rent is cheap.
We also had a dead rat smell in the place, which arrived shorly after I did. Another lovely addition. Turned out, though, that the dead rat smell was being caused by a dead rat, which had picked the stove burner as his final resting place. I was happy I hadn’t used the stove since I’d been there. Not with Quizno’s and Carl’s across the street.
Work was OK. Sporadically busy and not. I can pretty much do what I do most of the time, from anywhere. There is wireless in the place. And its self contained.
I guess I really haven’t described what the dwelling is. I live in a two bedroom bungalow behind a big main house. I share it with a music vid director named Mike. It has a kitchen, a bathroom, both pretty grungy, and the two rooms. Mike’s room still doesn’t have a wall, it has its own makeshift arrangement. Not my problem.
The bungalow is one of three buildings on the property, including the main house, and a third building that has a bunch of storage rooms and seems to be a general waste of space. There is a patio, a BBQ grill and everything is fairly shabby. I did some cleaning while I was there, but in all likelihood, it will be similarly shabby by the time I get back to LA in thee next month or so. But it’s a good location, the room is fine, now, and its got parking and is definitely livable. And cheap, did I mention cheap.
So much for the glamour of being bicoastal, skateboard ramps and rats in the kitchen (and I do care).
Digger was announced, hit JoBlo and DreadCentral, which are two big horror blogs that get tons of traffic. That’s cool, and great for John Gallagher, who will direct, and our young writer, Stephen Lancellotti. Stephen, despite his youth, has had a good career already in the entertainment biz, which includes stints at Dreamworks and other big production companies, and working as an assistant and a story editor for Jean Domanian, who was Woody Allen’s producer before she produced for David Mamet. I think (we all do) that he wrote a great script, and we’re very excited about making it.
Speaking of horror, Slaughter is picking up speed as well. A respected horror director who shall remain nameless has offered his services. We’re still figuring things out, but we should have a director aboard in the next few days after the weekend. It’ll be great after all this looking and waiting and wanting.
I am on the flight now. Flying. It’s a phobia. A necessary evil. I need Xanax or something stronger when I fly, cause relaxation techniques aint cutting it no more. I serious think that the plane engines just turned off for like two minutes, a bit ago. No hum, nothing, like we were gliding. And when the altitude showed on the screen, we were lower than we had been minuted before. During takeoff. I admit I have this phobia, but that cant be normal. Can it? Why am I asking you?
Middle seats suck.
Otherwise, that’s mostly it. I am headed back bccause Valerie will be in town and I have much to get ready for the NYC PictureStart Film Festival. I also have a movie, Take The Bridge, in the Tribeca Film Festival, one I worked on years ago. I’d almost given up hope that it would see the light of day, as it hasn’t got any name actors – they are all newcomers. But its in Tribeca, and its getting some press now. I’ll be seeing this cut of it for the first time tomorrow nite. Come out and see it if you are in NYC. I am not going to swear by its quality because I haven’t seen the finished product, but really, what else do you have going on. Exactly.
See ya there.
Grumpy.
Wednesday, April 25, 2007
At it again with the bloody stuff..
MAVERICK RED AND ANGEL BABY ENTERTAINMENT ANNOUNCE “DIGGER” CO-PRODUCTION
Project Marks Second Co-Production between Companies
NEW YORK - Mark Morgan of Maverick Films, and Gregory Segal of Angel Baby Entertainment, announced pre-production on Digger, the second co-production between the Companies. Digger will be directed by Angel Baby Entertainment partner John A. Gallagher, from a script by Stephen Lancellotti.
Digger will be produced by Angel Baby Entertainment and Maverick’s freshly minted horror label, Maverick Red. The two companies, in association with the Slamdance Film Festival, are already in pre-production on the 2007 Slamdance Horror Screenplay Competition winner, Slaughter, written by Nathan Brookes and Bobby Darby. Principal Photography on Slaughter is scheduled for July 26th in New Mexico and the film will have its World Premiere at the 2008 Slamdance Film Festival.
Digger unearths the legend of Joshua Bauer, raised by a sadistic gravedigger in a small New England town and forced from youth to dig graves by hand. When Joshua comes of age, he rebels with savage vengeance, embarking on a brutal killing spree. Digger brings a new maniac to the horror screen with all the hallmarks of a classic movie monster icon.
Segal and Gallagher of Angel Baby Entertainment will produce Digger along with Maverick principal Guy Oseary, Morgan, and Thompson of Maverick Red. Cheri Wozniak, who brought the project into the new horror label, will executive produce. Production is scheduled for late summer in Connecticut.
Angel Baby Entertainment is a partnership between Gregory Segal, producer (My Brother), and John A. Gallagher, writer/director/producer, (The Deli, Blue Moon). The company has produced six features and two short films over the past two-and-a-half years and has numerous projects in development.
Gallagher most recently produced The Insurgents and Hot Baby! with Segal; his last four features as writer-director (Cupidity, Blue Moon, The Deli, Men Lie) earned two dozen awards in international film festivals.
Maverick Films, a Los Angeles-based production company founded by Madonna and Guy Oseary, recently announced the launch of its new division, Maverick Red. While Maverick Red will focus on the horror genre, the production company is not new to the horror genre. Maverick Films’ co-chairman and founding partner Oseary executive produced Rob Zombie’s House of 1000 Corpses and The Devil’s Rejects. Maverick also has a number of thriller and horror films in development including; The Stepfather for Sony – Screen Gems, the remake of the Asian horror film, The Phone; and the serial-killer thriller Labyrinth, for Summit Entertainment, written by Russel Gewertz (The Inside Man) and starring Hilary Swank.
Maverick is in post-production on My Sassy Girl, a remake of the Korean box-office hit, with Vertigo and Gold Circle Films; and is prepping The Stanford Prison Experiment, to be directed by Chris McQuarrie and Shoot to be directed by Ron Krauss.
####
Project Marks Second Co-Production between Companies
NEW YORK - Mark Morgan of Maverick Films, and Gregory Segal of Angel Baby Entertainment, announced pre-production on Digger, the second co-production between the Companies. Digger will be directed by Angel Baby Entertainment partner John A. Gallagher, from a script by Stephen Lancellotti.
Digger will be produced by Angel Baby Entertainment and Maverick’s freshly minted horror label, Maverick Red. The two companies, in association with the Slamdance Film Festival, are already in pre-production on the 2007 Slamdance Horror Screenplay Competition winner, Slaughter, written by Nathan Brookes and Bobby Darby. Principal Photography on Slaughter is scheduled for July 26th in New Mexico and the film will have its World Premiere at the 2008 Slamdance Film Festival.
Digger unearths the legend of Joshua Bauer, raised by a sadistic gravedigger in a small New England town and forced from youth to dig graves by hand. When Joshua comes of age, he rebels with savage vengeance, embarking on a brutal killing spree. Digger brings a new maniac to the horror screen with all the hallmarks of a classic movie monster icon.
Segal and Gallagher of Angel Baby Entertainment will produce Digger along with Maverick principal Guy Oseary, Morgan, and Thompson of Maverick Red. Cheri Wozniak, who brought the project into the new horror label, will executive produce. Production is scheduled for late summer in Connecticut.
Angel Baby Entertainment is a partnership between Gregory Segal, producer (My Brother), and John A. Gallagher, writer/director/producer, (The Deli, Blue Moon). The company has produced six features and two short films over the past two-and-a-half years and has numerous projects in development.
Gallagher most recently produced The Insurgents and Hot Baby! with Segal; his last four features as writer-director (Cupidity, Blue Moon, The Deli, Men Lie) earned two dozen awards in international film festivals.
Maverick Films, a Los Angeles-based production company founded by Madonna and Guy Oseary, recently announced the launch of its new division, Maverick Red. While Maverick Red will focus on the horror genre, the production company is not new to the horror genre. Maverick Films’ co-chairman and founding partner Oseary executive produced Rob Zombie’s House of 1000 Corpses and The Devil’s Rejects. Maverick also has a number of thriller and horror films in development including; The Stepfather for Sony – Screen Gems, the remake of the Asian horror film, The Phone; and the serial-killer thriller Labyrinth, for Summit Entertainment, written by Russel Gewertz (The Inside Man) and starring Hilary Swank.
Maverick is in post-production on My Sassy Girl, a remake of the Korean box-office hit, with Vertigo and Gold Circle Films; and is prepping The Stanford Prison Experiment, to be directed by Chris McQuarrie and Shoot to be directed by Ron Krauss.
####
Saturday, April 07, 2007
Sofa Bloggin’: The Great In-Between
Holy Canoli, Batman. Its an entry not written at 35,000 feet.
Yes folks, sorry for the interlude. Im back. Been a few weeks of decompression since the first round of My Brother releases, which weren’t overly successful from a box office standpoint, but weren’t expensive either. And the preorders on the DVD seem to be very strong. Which is good. Though not really for me, cause I am not particularly a profit participant on the movie, not for a while.
Its like I lost my job. I really haven’t and I’ve continued to work on some My Brother stuff, but most of the work I spent on the movie I’ve been reallocating to other tasks. Like the PictureStart Film Festival, for which I don’t yet have a venue. Working on it, though.
Anyway, things have been quite a bit slower. I’ve been working, but its not as frantic. However, its gearing up to get busy again. We’re selling the Insurgents, likely this week. I also rented a place in LA so that I stop spending so much money on hotels when I am out there. Its in Hollywood, and is a bungalow on a large piece of property around Sunset and Highland. I’m told, despite the loud neighborhood, that its fairly quiet because of the size of the property. We shall see.
Otherwise, things are fairly normal. Slaughter continues to move forward. We’re set a preliminary schedule for preproduction, production, etc. And hopefully everything can speed up with the extra time I will be spending in LA LA land.
That’s all I really got right now.
But I am flying on Tuesday, so I am sure there will be more.
Yes folks, sorry for the interlude. Im back. Been a few weeks of decompression since the first round of My Brother releases, which weren’t overly successful from a box office standpoint, but weren’t expensive either. And the preorders on the DVD seem to be very strong. Which is good. Though not really for me, cause I am not particularly a profit participant on the movie, not for a while.
Its like I lost my job. I really haven’t and I’ve continued to work on some My Brother stuff, but most of the work I spent on the movie I’ve been reallocating to other tasks. Like the PictureStart Film Festival, for which I don’t yet have a venue. Working on it, though.
Anyway, things have been quite a bit slower. I’ve been working, but its not as frantic. However, its gearing up to get busy again. We’re selling the Insurgents, likely this week. I also rented a place in LA so that I stop spending so much money on hotels when I am out there. Its in Hollywood, and is a bungalow on a large piece of property around Sunset and Highland. I’m told, despite the loud neighborhood, that its fairly quiet because of the size of the property. We shall see.
Otherwise, things are fairly normal. Slaughter continues to move forward. We’re set a preliminary schedule for preproduction, production, etc. And hopefully everything can speed up with the extra time I will be spending in LA LA land.
That’s all I really got right now.
But I am flying on Tuesday, so I am sure there will be more.
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