At risk of losing my status of card-carrying member of the He Man Woman Hater's Club, I watched the trailer for the Sex and the City movie. And it looks pretty funny. Decent. I'm not holding my breath waiting or anything, so don't get carried away.
And don't get me wrong, this doesn't mean I am going to go see it when it comes out. Its almost definitely a cabler for me. But having had, shall we say, an aversion to the concept when I heard about it being made, I have to reverse field a little bit. I tend not to like TV to Movie movies, and this one sounded a bit like squeezing the last drop out of the lemon. It may be, but I suppose that doesn't by itself make it a bad movie.
Grumps.
Showing posts with label film aside. Show all posts
Showing posts with label film aside. Show all posts
Friday, February 22, 2008
Saturday, October 06, 2007
Mean Streets - See It Again
What can you say about Mean Streets? Is it possible to determine the overall impact of the movie, Scorsese’s early classic, on not only his later films, but on the entire genre of gangster movies (which Mean Streets is not), Italian-American cinema (which it is), and film acting in general (due to stunning perfs by Deniro, Keitel, and very powerful and realistic supporting characters played by David Proval, Richard Romanus, and Amy Robinson, who was never again in a movie (though she has produced many)).
I don’t want to review this movie here. Its been review to death. Just reminding those who haven’t seen it, or seen it for a while. See it again. It might be Scorsese's best movie. Its like watching a French new wave film shot in Little Italy (and Los Angeles, where most of the movie was actually filmed), with Deniro instead of Belmondo and Amy Robinson instead of Jean Seberg or Jeanne Moreau. Its simply kinetic and realistic. And timely. The movie hasn’t aged, except for perhaps the sequence where the two Riverdale kids get swindled out of the firecracker money.
Friday, September 28, 2007
Monday, July 16, 2007
Dumbfounded
I was on Myspace just now. Yes just now. Really, i just clicked over. (Thats not funny).
Anyway, there was a link for Drama film, and an url pointing to amazon.com. And some generic tag like, see the amazing gripping thriller. So i clicked it, curious what it was for.
I was directed to amazon, to the page for a movie that was shot in Bulgaria several years ago. I recall being in Bulgaria recording the score for My Brother (no I didnt record it myself, we have people for that, and they are paid less in Bulgaria, and are generally better looking, but thats neither here nor there. They walk more. They also smoke. They tend to be thinner, but probably get lung cancer. Like Israelis.)
Anyway, the excellent (formerly excellent?) director Bruce Beresford was directing John Cusack and Morgan Freeman in a thriller. I dont remember if it had a title back then, but the title of the DVD release is The Contract. Yeah, you heard me, the DVD release. As in, straight-to, do not pass go, do not collect box office rentals.
Beresford is an excellent director responsible for good movies in a number of genres. He's best known for Driving Miss Daisy, but also did the excellent, Black Robe, and Tender Mercies, and Breaker Morant. And here he is working with two very good (if not great) actors. The movie, how little could it have cost Avi Lerner and company in Bulgaria? 15 million? 12 million?
I haven't heard anything about it one way or another, quality wise. I have often wondered what happened to it, because I remember talking quite a bit about it when I was there. It was just after the Millenium (Avi Lerner's company) Brian DiPalma production with Scarlet Johnassen and Hilary Swank, another movie I haven't seen. Anyway, I guess I am surprises that a movie with that quality of talent couldn't even get theatrically released. Especially because its a thriller with a name cast, and even if it was terrible, it probably woulda raked in some money anyway.
My guess it that either (1) some theatrical rights situation is preventing it, or more likely (2) the movie is bad, there is limited upside to releasing it theatrically, and Millenium has already recouped the entire budget of the movie because THEY SOLD IT BEFORE THEY MADE IT. And thus, they have very little incentive to see it through, especially if the talent has disavowed it because of a lack of quality. If they arent gonna stomp for it, then in fairness to these gods of direct to video, the Nu Image/Millenium boys, maybe its the right move. Its just hard to image that it could be that bad. How many bad movies have Freeman and Cusack made? Not many. None jump to mind.
I suppose that may be exactly why they might choose not to promote this one, although thats completely speculation on my part.
Anyway, there was a link for Drama film, and an url pointing to amazon.com. And some generic tag like, see the amazing gripping thriller. So i clicked it, curious what it was for.
I was directed to amazon, to the page for a movie that was shot in Bulgaria several years ago. I recall being in Bulgaria recording the score for My Brother (no I didnt record it myself, we have people for that, and they are paid less in Bulgaria, and are generally better looking, but thats neither here nor there. They walk more. They also smoke. They tend to be thinner, but probably get lung cancer. Like Israelis.)
Anyway, the excellent (formerly excellent?) director Bruce Beresford was directing John Cusack and Morgan Freeman in a thriller. I dont remember if it had a title back then, but the title of the DVD release is The Contract. Yeah, you heard me, the DVD release. As in, straight-to, do not pass go, do not collect box office rentals.
Beresford is an excellent director responsible for good movies in a number of genres. He's best known for Driving Miss Daisy, but also did the excellent, Black Robe, and Tender Mercies, and Breaker Morant. And here he is working with two very good (if not great) actors. The movie, how little could it have cost Avi Lerner and company in Bulgaria? 15 million? 12 million?
I haven't heard anything about it one way or another, quality wise. I have often wondered what happened to it, because I remember talking quite a bit about it when I was there. It was just after the Millenium (Avi Lerner's company) Brian DiPalma production with Scarlet Johnassen and Hilary Swank, another movie I haven't seen. Anyway, I guess I am surprises that a movie with that quality of talent couldn't even get theatrically released. Especially because its a thriller with a name cast, and even if it was terrible, it probably woulda raked in some money anyway.
My guess it that either (1) some theatrical rights situation is preventing it, or more likely (2) the movie is bad, there is limited upside to releasing it theatrically, and Millenium has already recouped the entire budget of the movie because THEY SOLD IT BEFORE THEY MADE IT. And thus, they have very little incentive to see it through, especially if the talent has disavowed it because of a lack of quality. If they arent gonna stomp for it, then in fairness to these gods of direct to video, the Nu Image/Millenium boys, maybe its the right move. Its just hard to image that it could be that bad. How many bad movies have Freeman and Cusack made? Not many. None jump to mind.
I suppose that may be exactly why they might choose not to promote this one, although thats completely speculation on my part.
Sunday, July 15, 2007
ON THE CHEAP IN LALA LAND
So there are some very nice things about LA and the LA lifestyle that I am coming to learn. One of the foremost is the utter cheapness of living here, and the selection of things to do on the cheap.
I went hiking last week. It was a mere ten minute drive from my place. Now, I am not comparing the hiking to being up in the Adirondacks in New York, which are bucolic and lovely. The trail was a little dry and dusty, and you’re never really that far from feeling like your in a city. But still, the occasional porn star down from the valley hiking there helps make up the difference.
COST: One buck parking fee. You can’t even get on the train in NY for that. Not even close.
I went to a jazz series opening at the Hollywood Bowl with some friends last Wednesday. And while there are certainly seats that are more expensive, the general admission seats for this concert, featuring Queen Latifah (who was excellent) and a ten piece Jazz ensemble, were very comfortable and allowed us, once we’d moved off center, to spread out and have a picnic with the wine and food we were permitted to bring into the place. So a nite out with music and a picnic.
COST: $12 bucks for the seat and seventy five cents? for a seat cushion. BYOB.
Similarly, last nite, much of the same crew from the concert went to the Hollywood Forever cemetery screening. Basically, you queue up outside on the grass for an hour or so, then they let everyone in to place, and you stake a claim with your blanket, food, booze, etc. on the grass opposite the white wall of a very conveniently placed mausoleum, which is right opposite Hitchcock’s tomb. (Incidentally, they began this series with Vertigo, which to me is a little weird, but Hitch probably would have dug it). They project the movie on the side of the mausoleum and voila. Between seven and when it gets dark, you basically sit there and listen to a DJ spin. Last week, when the movie was Fast Times at Ridgemont High, they spun eighties music, and Amy Heckerling was there for the show. (No word on Sean Penn). Since the movie was Milos Forman’s amazing One Flew Over the Cuckoo’s Nest, they spun mostly older seventies hippie tunes. And everyone gets a little loaded while waiting for it to get dark enough for the movie to start, which made it a little weird because while the movie is inspirational, it had the effect of making some Angelinos laugh an inappropriate moments.
Movie Aside: So many years later, Cuckoo’s Nest stands up. In the wake of the torture of prisoners in Cuba, the movie is extremely timely. It also doesn’t have a false note, pulls no punches, has a great score and incredible acting. Its basically perfect, and I have a suspicion that it would play pretty well if released theatrically now. If I can make one movie nearly that good in my career, well, that’s a career. Fucking amazing, and I’ve seen it half a dozen times or more.
Anyway, so we sat there, watched a great movie (and they have a good project and great sound system), and chilled. Of course, there is all the waiting but that can be fun. I ran into (well, she spotted me somehow in the crowd) Jen Getzinger, who was Darren Aronofsky’s script supervisor and then on Sex in the City for years, before attending AFI. She was with her producers, and we chatted a bit. It was nice seeing her unexpectedly like that.
COST: $10 (a suggested donation, but not really the vibe I got when we walked up – you gotta pay).
I drank a little too much and have a bit of a headache today. But it was another fun time, and far preferable to hanging in a stuffy bar.
Grumpster
I went hiking last week. It was a mere ten minute drive from my place. Now, I am not comparing the hiking to being up in the Adirondacks in New York, which are bucolic and lovely. The trail was a little dry and dusty, and you’re never really that far from feeling like your in a city. But still, the occasional porn star down from the valley hiking there helps make up the difference.
COST: One buck parking fee. You can’t even get on the train in NY for that. Not even close.
I went to a jazz series opening at the Hollywood Bowl with some friends last Wednesday. And while there are certainly seats that are more expensive, the general admission seats for this concert, featuring Queen Latifah (who was excellent) and a ten piece Jazz ensemble, were very comfortable and allowed us, once we’d moved off center, to spread out and have a picnic with the wine and food we were permitted to bring into the place. So a nite out with music and a picnic.
COST: $12 bucks for the seat and seventy five cents? for a seat cushion. BYOB.
Similarly, last nite, much of the same crew from the concert went to the Hollywood Forever cemetery screening. Basically, you queue up outside on the grass for an hour or so, then they let everyone in to place, and you stake a claim with your blanket, food, booze, etc. on the grass opposite the white wall of a very conveniently placed mausoleum, which is right opposite Hitchcock’s tomb. (Incidentally, they began this series with Vertigo, which to me is a little weird, but Hitch probably would have dug it). They project the movie on the side of the mausoleum and voila. Between seven and when it gets dark, you basically sit there and listen to a DJ spin. Last week, when the movie was Fast Times at Ridgemont High, they spun eighties music, and Amy Heckerling was there for the show. (No word on Sean Penn). Since the movie was Milos Forman’s amazing One Flew Over the Cuckoo’s Nest, they spun mostly older seventies hippie tunes. And everyone gets a little loaded while waiting for it to get dark enough for the movie to start, which made it a little weird because while the movie is inspirational, it had the effect of making some Angelinos laugh an inappropriate moments.
Movie Aside: So many years later, Cuckoo’s Nest stands up. In the wake of the torture of prisoners in Cuba, the movie is extremely timely. It also doesn’t have a false note, pulls no punches, has a great score and incredible acting. Its basically perfect, and I have a suspicion that it would play pretty well if released theatrically now. If I can make one movie nearly that good in my career, well, that’s a career. Fucking amazing, and I’ve seen it half a dozen times or more.
Anyway, so we sat there, watched a great movie (and they have a good project and great sound system), and chilled. Of course, there is all the waiting but that can be fun. I ran into (well, she spotted me somehow in the crowd) Jen Getzinger, who was Darren Aronofsky’s script supervisor and then on Sex in the City for years, before attending AFI. She was with her producers, and we chatted a bit. It was nice seeing her unexpectedly like that.
COST: $10 (a suggested donation, but not really the vibe I got when we walked up – you gotta pay).
I drank a little too much and have a bit of a headache today. But it was another fun time, and far preferable to hanging in a stuffy bar.
Grumpster
Sunday, June 10, 2007
The Top 25 Horror Films to Date: Wrapping It Up
FINAL UPDATE, June 10, 2007
Well, we've gone through another one of these lists, and Im wrapping it up based on everyone's comments. I don't know that i am totally satisfied with my, ahem, I mean, our list, but it is our list, and this really cannot go on and on forever, can it. I mean, we have to finish it. Like the great horror movies, they come to a close.
Um, wait, actually alot of them have sequels. And remakes. So maybe thats not the best analogy. But just jump down to the bottom of the entry, you can find the last bunch. And then, you can lemme have it on all the omissions.
YET ANOTHE UPDATE, June 2, 2007
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien/Aliens - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it. And action horror sequel, from the sequel-meister James Cameron, with great performance from Weaver (Oscar-nommed), Bill Paxton and Paul Reiser.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. American Werewolf In London - A great exercise is horror/comedy that works, because its scary and never lets up, and the Rick Baker gore factor is in full effect.
20. Carrie - There is nothing quite as terrifying as a high school girl without a date for the prom. Not one of my personal favorites, but
21. Salem's Lot - Yet another Stephen King entry. I saw this movie, and I cannot remember much about it except for the vampires having a very scary, cool look. Anyway, Heidi, now its on here. So shuddup.
22. Hellraiser - Great villains, another that isnt quite one of my favorites, but got seconded a few times, (or thirded? fourth-ed?), and Pinhead rulls. So lets do it. And it gets Clive Barker on the list.
23. Saw, which began the huge horror resurgence in the last seven to ten years and set the initial baseline in torture/horror.
24. The Amityville Horror - Original scarer was not a movie, it was a part of the average kid's consciousness after it came out. One of the best uses ever of the "Based on a True Story" marketing hook of all time, and a darn scary movie killed by terrible sequels (and a doughy remake).
25. Frankenstein - Needed to have some classic old school horror, and Boris Karloff somewhere on this list.
So Many Honorable Mentions: Friday the 13th (very much a genre creator), Hostel, From Dusk Til Dawn, House of A Thousand Corpses and The Devil's Rejects, The Grudge, Curse of the Catpeople, Freaks, Prom Night, The Fly (Cronenberg), Re-Aminator, Murnau's Nosferatu, The Wolf Man (Lon Chaney version), Murder in the Rue Morgue, The Grudge, The Phone, Ichi The Killer, High Tension, Magic (which I absolutely love and is scary as fuck), The Birds, Evil Dead II/III/ Bubba Ho-Tep), Phantasm, The Blair Witch Project, The Eye, The Sixth Sense (which I really like but leave off the list cause I dont really consider it horror, and many consider it a gimmick movie) and Jacob's Ladder (another great great, is it Horror entry) and Angel Heart (yet another, left off maybe for more than this, but a fascinating, stylish, although flawed entry from Alan Parker), Masque fo the Red Death, Braindead (aka Dead Alive), Blade, Misery, 28 Days Later, Hell Night (a personal fave for no particular reason)I Walked with a Zombie, Diabolique (again left off as I can't really consider it horror), King Kong (1933), Francis Ford Coppola's Dracula, Cujo, Candyman, and April Fools Day.
Well, we've gone through another one of these lists, and Im wrapping it up based on everyone's comments. I don't know that i am totally satisfied with my, ahem, I mean, our list, but it is our list, and this really cannot go on and on forever, can it. I mean, we have to finish it. Like the great horror movies, they come to a close.
Um, wait, actually alot of them have sequels. And remakes. So maybe thats not the best analogy. But just jump down to the bottom of the entry, you can find the last bunch. And then, you can lemme have it on all the omissions.
YET ANOTHE UPDATE, June 2, 2007
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien/Aliens - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it. And action horror sequel, from the sequel-meister James Cameron, with great performance from Weaver (Oscar-nommed), Bill Paxton and Paul Reiser.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. American Werewolf In London - A great exercise is horror/comedy that works, because its scary and never lets up, and the Rick Baker gore factor is in full effect.
20. Carrie - There is nothing quite as terrifying as a high school girl without a date for the prom. Not one of my personal favorites, but
21. Salem's Lot - Yet another Stephen King entry. I saw this movie, and I cannot remember much about it except for the vampires having a very scary, cool look. Anyway, Heidi, now its on here. So shuddup.
22. Hellraiser - Great villains, another that isnt quite one of my favorites, but got seconded a few times, (or thirded? fourth-ed?), and Pinhead rulls. So lets do it. And it gets Clive Barker on the list.
23. Saw, which began the huge horror resurgence in the last seven to ten years and set the initial baseline in torture/horror.
24. The Amityville Horror - Original scarer was not a movie, it was a part of the average kid's consciousness after it came out. One of the best uses ever of the "Based on a True Story" marketing hook of all time, and a darn scary movie killed by terrible sequels (and a doughy remake).
25. Frankenstein - Needed to have some classic old school horror, and Boris Karloff somewhere on this list.
So Many Honorable Mentions: Friday the 13th (very much a genre creator), Hostel, From Dusk Til Dawn, House of A Thousand Corpses and The Devil's Rejects, The Grudge, Curse of the Catpeople, Freaks, Prom Night, The Fly (Cronenberg), Re-Aminator, Murnau's Nosferatu, The Wolf Man (Lon Chaney version), Murder in the Rue Morgue, The Grudge, The Phone, Ichi The Killer, High Tension, Magic (which I absolutely love and is scary as fuck), The Birds, Evil Dead II/III/ Bubba Ho-Tep), Phantasm, The Blair Witch Project, The Eye, The Sixth Sense (which I really like but leave off the list cause I dont really consider it horror, and many consider it a gimmick movie) and Jacob's Ladder (another great great, is it Horror entry) and Angel Heart (yet another, left off maybe for more than this, but a fascinating, stylish, although flawed entry from Alan Parker), Masque fo the Red Death, Braindead (aka Dead Alive), Blade, Misery, 28 Days Later, Hell Night (a personal fave for no particular reason)I Walked with a Zombie, Diabolique (again left off as I can't really consider it horror), King Kong (1933), Francis Ford Coppola's Dracula, Cujo, Candyman, and April Fools Day.
Tuesday, June 05, 2007
Vote for a movie goddammit :)
Come on people. Weigh in. We're only at 19. Can't just be John and Bobby and Scott and Bitter and a few others. I know you're out there. Silent. Stalkers. Leave a comment. It wont hurt. Im sure there is some movie that sends chills up your spine, or second someone else's vote.
Now, go.
Now, go.
Thursday, May 24, 2007
The Top 25 Horror Films to Date
YET ANOTHE UPDATE, June 2, 2007
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. Keep going, we arent done yet with this debate.
Its the nite before the tenth PictureStart Film festival and I am just getting used to having my mac back. I've been on a slow PC all week long, and now I am back among the 21st century dwellers. Anyway, need to respond to some of these comments, and bring the list up to date.
DONT GET LAZY, WE"RE NOT THERE YET.
I've succumbed to some other subgenres including Aliens and The Thing on the list, as well as action/adventurer/natural monster movie Jaws, which is arguably the best movie on the list.
SECOND UPDATE, May 28, 2007
Wow, so we have a lot of respondents, including one, John, who nearly wrote his own blog on horror. It kind of raises the issue of what qualifies as horror (at least for the very minor purposes of this survey). Horror has many sub-genres, including monster movies, slasher, ghost/supernatural, torture, and comedy, to name a few. There are also the thriller horror crossovers, like Se7en and Silence of the Lambs and perhaps the Omen (listed below, but maybe more horror, if only judging by the amount of gore in that movie vs. its contemporaries)and the Exorcist. I guess when I was thinking of this, while I thought about the old Universal horror stuff, and the old monster movies, I wasn't necessarily considering that sub-genre. Nor was I particularly considering other related genre movies like Tod Browning's Freaks, or action/sci-fi movies like James Cameron's great Aliens, or monster action like Blade, and straight thrillers like Diabolique, which I saw when I was seventeen or eighteen, and which my father always described as the scariest movie he had ever seen. I guess where one draws the line is somewhat arbitrary.
Do Lon Chaney and more importantly, Bela Lugosi, belong on this list somewhere. Yeah, of course (not that they care), but that again raises the issue of where to draw the line. Lugosi is one of the godfathers of horror. But movies like Phantom of the Opera, to me, dont really feel right on this list. Great, influential in effects, acting technique, maybe even music (though I believe it would have been performed live, no?), yes, but horror, not so sure.
Anyway, with the obvious issue of arbitrariness now out in the open, lets update the list a bit.
FIRST UPDATE
My mac is broken (ugh, took it to apple in soho today, waited forever so that they could send it back - i should have it back in a few days or a week (maybe ten???) but if my computer skills (or for those of you who know me, my email response time) is less than stellar, well, now I have an excuse) and Im working on my ass-old PC.
The updated list from your write-ins is below. And I may up it to 30, because it appears I may have bit off more than I can chew. And just cuz your suggestion didnt make it in yet, doesnt mean it wont, I am just conserving space for the time being.
Cool thing about the list, it makes a good netflix or to watch list for aspiring horrorphiles.
********************
So by request, I was asked to write a blog about the best horror movies ever made (before I started making em, right- maybe I’ll make one some day that can be on the list). I didn’t really do anything about the request, and I certainly know a bunch about horror, but would not consider myself an authority at all. I’m no Eli Roth (haha, wink wink).
What we did before here was to let people make their comments about the best teen movies of all time. Given my immersion in the horror world over the last six months or so, seems like a good time to make a new list, a horror list. I went to the horror Fango Con in Burbank this past Sunday, to hang with Bob Kurtzman, special fx wizard and the director of upcoming films like Dimension Films’ Buried Alive, and the independently produced The Rage. Bob is an authority on horror, and his work shows it. He’s also a great guy and I think we’ll be working together for a long time, or at least I hope so.
So anyway, now I am sitting in my little hovel in Hollywood, and having grabbed a bunch of DVD’s from the main house, I’ve been focusing on watching horror in preparation for Digger and Slaughter. So because of this, I have the first two (lets go for twenty five) entries, films I watched yesterday and today, for the list. Lets get the list (and blood) flowing.
1. Psycho – An original. Groundbreaking, and a film that has been copied from so much, in films considered classic themselves, like Silence of the Lambs, Dressed to Kill, and this next film…
2. The Texas Chainsaw Massacre – Toby Hooper’s classic horror oevre. I remember watching it at age 13 or 14 in Garden City. Middle of summer, late nite, everyone else was asleep. After the girl got hung on the hook by Leatherface, I proceeded to close every window on the first floor and lock em. Remarkably, there is next to no gore or blood in this movie. Other than a few rotting corpses, its all done by suggestion.
3.Halloween- Simply one of the best, and deserving of a top stop on any list. Back story goes that Moustafa Akkad approached John Carpenter after seeing Precinct Thirteen and told him that he wanted him to write and direct a movie about babysitter murderers. Carpenter and Debra Hill sat down and wrote Halloween in three weeks, on spec. They made the movie, and history, for about 300K (1979 style or whenever that was, maybe 1978).
4.Scream - One of the great scripts, one that took an overwraught genre and turned it on its head. Not the craziest about Neve in the role, but no one is perfect. Totally reinvigorated a dying (nopunintended) genre.
5. The Shining- The definition of scary. If you've seen it, you know what I mean. If you haven't why are you sitting there.
6. The Exorcist - The thinking man's (or woman's) supernatural horror thriller. Maybe not as gory as some of the entries on the list, but cemented into the minds of everyone who saw it. Created a sensation when it was released, with lines around the block, becoming one of the original blockbusters (without the bloated budget). Hopefully, Friedkin's return to the genre, Bug, will hold a candle, but I digress.
7. Suspiria - Considered by many to be Dario Argento's masterpiece for your more erudite horror fan, cant leave out the foreign entries, which brings us to...
8. The Ring (Japanese version)- the start of the japanese horror remake brigade, with The Grudge, which we making slaughter happily understand.
9. The Omen (original) - Gregory Peck and Lee Remick in another child-oriented supernatural thriller, with Richard Donner at the helm. The original is really good, a point made more clear when you watch the remake (which has its moments, mostly involving Mia Farrow and Pete Postelthwaite).
10. Night of the Living Dead - One of the groundbreakers in low budget horror and the godfather of Zombie movies.
11. Nightmare on Elm Street - The house in the first one was recently for sale in LA. Thanks, I will keep renting. Pirates on Elm Street, anyone (Johnny Depp's jump to movies from tv - and another Wes Craven entry).
12. Evil Dead - while i prefer its comedic sequel (remake), one of the standard bearers in no-budget horror, complete with arborial rape.
13. Alien - Ridley Scott sci-fi horror (yeah so I guess the parallel works) with Sigourney running around in her underwear while we all wonder if the cat has the alien inside of it.
14. Jaws - By proclamation, this great movie is a horror movie, for purposes of this list. A masterful piece of cinema, not just belonging on the great horror movies list (as if), but on the list of the great American movies.
15. The Thing - John Carpenter's 1979 remake classic with another great alien monster that had some unbelievable effects and more of his go to guy, the incomparable Kurt Russell.
16. Dawn of the Dead (2004) - Widely considered, here and elsewhere, a modern horror masterpiece, better than the recent Rodriguez entry in Grindhouse.
17. Poltergeist - Still the subject of a raging debate as to whether this is a Tobe Hooper movie or a Spielberg movie (answer is, probably both), has some of the great spooks and plenty of gore for the bloodhounds.
18. Manhunter - Michael Mann directing William Petersen and Brian Cox, with great villany and support from Tom Noonan as the toothfairy. Perhaps not as well knownm as the other entries on the list, and unfairly so. A great movie. Which brings us to...
19. Silence of the Lambs - I couldn't justify not including Jonathan Demme's scarer while including Michael Mann's movie which covers most of the same ground. I have to admit, I don't know why Mann's feels more horrific than Silence, maybe its the lower budget. Perhaps neither of them belong on the list, I don't know, but I love them both and enough of you said they belong.
19. Keep going, we arent done yet with this debate.
Saturday, November 25, 2006
Feelin’ kinda lazy.
I went out last nite to Ultra. My friend and new biz associate Ryan was hangin’ there with a bunch of friends and invited us to come meet him.
Ultra is this chic newish lounge, with the velvet rope, the huge bouncers, and the models, the whole deal. So it’s the shit in NYC, for whatever that is worth to you. I’ve been going to clubs in NYC for the last twenty years, since I was 16 going to Tunnel on the west side on Manhattan, getting chosen in by door men who thought I was a 25 year old investment banker (thank god for Willy Wear suits and limited lighting). So while I do like going out to these new exclusive places (Why not?), I have seen basically everything (except for seeing a topless woman give a lapdance at Cain on Wednesday nite, a first for me to see that in a club).
So I am going out to this ultra hip lounge for drinks and chillin and dancing. Whats the best thing to do first?
Right.
Karaoke.
So I meet my brother Rich and my sister (in town for Thanksgiving this week) at Karaoke 17. Now I used to be a little bit of a karaoke whore, which is the term I use for people who get a little bit too into it. I used to go quite a bit, a few times a month, spend an entire evening belting it out. I even went to karaoke in Bulgaria one nite when I was there recording the score for “My Brother.” I know, ultra cool.
***********************FILM ASIDE*************************************
BTW, I am watching the remake of “When A Stranger Call” and while I think it’s a great premise and I think Camille Belle is sexy as hell and a good actress to boot, and the movie is very well made, I am not quite sure that it cuts the mustard. It just doesn’t pack the punch of the original – she just found out that the Caller is inside the house. And I am just not that spooked. Now I knew it was coming, because I am a fan of the genre and I saw the original last year, when I was prepping for a horror movie that I never ended up making (though it was made with other producers). I watch tons of horror films as a form of instruction when I make one, both to remind me what I think works, and as much, or more, what doesn’t.
It just seems to me that while there isn’t enough here to carry a story for 90 minutes, and I’ll be damned if its readily apparent to me why it worked OK the first time and now, its falling short. I think its just too focused on the one character being traumatized, without interruption, and her breasts just aren’t big enough when she is running around. Did I say that. Im not even a boob guy. Never mind.
It just turned into The Shining, with the dude trying to break down the door to get to her, Not scary. And hes walking after her and the kids are crying kinda goofily. OK, enough about this, I am moving on. But I still love Camille Belle. Total fox (and shes getting all wet in the pond now, hehe- OK, maybe the movie isn’t so bad after all).
*******************************************************************************************************************
So I am at Karaoke, but my voice is really no where near where it was, strength wise. I do a few tunes, Steve Miller Band’s Take the Money, Cheap Trick I Want You, and my standard, Journey Don’t Stop Believin’. Also a little Clapton, some G&R, and Brandy, What A Fine Girl from the Looking Glass.
Haveta say, I haven’t lost it. Kid has still got it.
Went over to Ultra to meet Ryan. He actually told the girl at the door, Mia (I think, you know, you’re typical supermodel with a clipboard who watches to make sure that regular folk cant enter without the grace of someone far cooler, which I may pretend to be, but that’s why they call it pretending) and she said hi when I mentioned his name and then rather than just comping us and letting us in, actually walked us inside and took us to Ryan’s table. I guess I am a big shot now.
The place was fun (places populated by 80 percent women, and a very good looking crowd at that, for some reason tend to be fun, not only for guys but for the women too, because women don’t seem to mind being in groups that are mostly female, as opposed to us guys who dread the sausage party). We drank, danced a bit. Bitter shook her thang and was having a great time with 24 year old boys hitting on her. While Richard had left, Newman had replaced him, meeting us just before we got there. A good time had by all, thanks to Ryan’s seemingly never ending supply of hospitality.
We left at three AM or so, and Ive barely left the bedroom today. I didn’t think I drank that much, but it musta added up. So I’ve been home. Briefly contemplating going out, but I think its one for them, one for me on this Saturday nite, though (I am told) the weather is gawgeous.
Hope you all had a great thanksgiving.
Grumpy
Ultra is this chic newish lounge, with the velvet rope, the huge bouncers, and the models, the whole deal. So it’s the shit in NYC, for whatever that is worth to you. I’ve been going to clubs in NYC for the last twenty years, since I was 16 going to Tunnel on the west side on Manhattan, getting chosen in by door men who thought I was a 25 year old investment banker (thank god for Willy Wear suits and limited lighting). So while I do like going out to these new exclusive places (Why not?), I have seen basically everything (except for seeing a topless woman give a lapdance at Cain on Wednesday nite, a first for me to see that in a club).
So I am going out to this ultra hip lounge for drinks and chillin and dancing. Whats the best thing to do first?
Right.
Karaoke.
So I meet my brother Rich and my sister (in town for Thanksgiving this week) at Karaoke 17. Now I used to be a little bit of a karaoke whore, which is the term I use for people who get a little bit too into it. I used to go quite a bit, a few times a month, spend an entire evening belting it out. I even went to karaoke in Bulgaria one nite when I was there recording the score for “My Brother.” I know, ultra cool.
***********************FILM ASIDE*************************************
BTW, I am watching the remake of “When A Stranger Call” and while I think it’s a great premise and I think Camille Belle is sexy as hell and a good actress to boot, and the movie is very well made, I am not quite sure that it cuts the mustard. It just doesn’t pack the punch of the original – she just found out that the Caller is inside the house. And I am just not that spooked. Now I knew it was coming, because I am a fan of the genre and I saw the original last year, when I was prepping for a horror movie that I never ended up making (though it was made with other producers). I watch tons of horror films as a form of instruction when I make one, both to remind me what I think works, and as much, or more, what doesn’t.
It just seems to me that while there isn’t enough here to carry a story for 90 minutes, and I’ll be damned if its readily apparent to me why it worked OK the first time and now, its falling short. I think its just too focused on the one character being traumatized, without interruption, and her breasts just aren’t big enough when she is running around. Did I say that. Im not even a boob guy. Never mind.
It just turned into The Shining, with the dude trying to break down the door to get to her, Not scary. And hes walking after her and the kids are crying kinda goofily. OK, enough about this, I am moving on. But I still love Camille Belle. Total fox (and shes getting all wet in the pond now, hehe- OK, maybe the movie isn’t so bad after all).
*******************************************************************************************************************
So I am at Karaoke, but my voice is really no where near where it was, strength wise. I do a few tunes, Steve Miller Band’s Take the Money, Cheap Trick I Want You, and my standard, Journey Don’t Stop Believin’. Also a little Clapton, some G&R, and Brandy, What A Fine Girl from the Looking Glass.
Haveta say, I haven’t lost it. Kid has still got it.
Went over to Ultra to meet Ryan. He actually told the girl at the door, Mia (I think, you know, you’re typical supermodel with a clipboard who watches to make sure that regular folk cant enter without the grace of someone far cooler, which I may pretend to be, but that’s why they call it pretending) and she said hi when I mentioned his name and then rather than just comping us and letting us in, actually walked us inside and took us to Ryan’s table. I guess I am a big shot now.
The place was fun (places populated by 80 percent women, and a very good looking crowd at that, for some reason tend to be fun, not only for guys but for the women too, because women don’t seem to mind being in groups that are mostly female, as opposed to us guys who dread the sausage party). We drank, danced a bit. Bitter shook her thang and was having a great time with 24 year old boys hitting on her. While Richard had left, Newman had replaced him, meeting us just before we got there. A good time had by all, thanks to Ryan’s seemingly never ending supply of hospitality.
We left at three AM or so, and Ive barely left the bedroom today. I didn’t think I drank that much, but it musta added up. So I’ve been home. Briefly contemplating going out, but I think its one for them, one for me on this Saturday nite, though (I am told) the weather is gawgeous.
Hope you all had a great thanksgiving.
Grumpy
Subscribe to:
Posts (Atom)